Showing posts with label Rhubarb. Show all posts
Showing posts with label Rhubarb. Show all posts

Monday, 6 April 2020

Week 10 How to Eat - Nigella Lawson

Couldn't get through #cookbookchallenge without another appearance from the blushing rhizomes that the Ewing has been forcing under a big plastic barrel on the allotment. The pale pink stems have been turning up in a compote on her yogurt and granola every morning but I also persuaded her to make Pig's Bum, the gloriously monikered steamed pudding that features in Nigella's seminal first tome, How to Eat.

How to Eat came out the year before I went to uni (just over two decades ago now...) and I remember reading my discounted and dog-eared copy while tucked up in bed (in the freezing downstairs bedroom, where I got chilblains and had to scrape the ice from the inside of the windows.) All character building stuff. Although I can't remember cooking much from it I remember being very taken by the idea a M&S steak and kidney pudding with a blob mustard and some steamed greens which turned up in her healthy eating chapter.

The pudding itself is based on a old school dinner favourite, named for the fact it resembles a porcine behind. Nigella's instruction sees some stewed rhubarb being mixed into the pudding batter. I adore a proper steamed pud, and, more excitingly, it also gave me the opportunity to use my new Mason and Cash Hacienda pudding basin. Got to get my kicks somehow....

While I feel it is almost sacrilege to say so, I wasn't sure there was going to be enough of the good stuff in the original recipe, so we also poached some batons for the top and reduced some of the syrupy juices down to soak into the sponge.

Pig's Bum - adapted from Nigella's How to Cook

125g self raising flour 
125g butter 
125g sugar 
300g rhubarb
2 eggs
4 scant tbsp milk 
1.5 tsp baking powder
2 tsp vanilla extract
Approx. 2 tbs sugar for simmering rhubarb, or to taste

Pre-heat the oven to 200c
Butter a pudding basin very well and boil a large pot of water large enough to comfortably accommodate the basin. I use a vegetable steamer.
Chop two thirds of the rhubarb into small chunks and the rest into longer batons (to be placed on top of the cooked pudding). Sprinkle with sugar and roast until tender (15 minutes covered in foil, then remove foil and then cook for another 5 minutes) .
Mash the coins of rhubarb and let it cool. Remove the batons of rhubarb and set aside. Pour the juices into a saucepan and reduce on the hob until thick and syrupy
Put all the other ingredients, minus milk into a food processor, or use a whisk, and mix until very smoothly combined.
Add the rhubarb puree and pulse or whisk quickly till combined with the batter. Do not overmix. Add the milk and pulse or whisk only till incorporated. Turn the batter into the basin. Cover securely with kitchen foil.
Put basin into boiling pot. The boiling water should come about half way up the basin..
Steam for approx 2 hours, topping up with boiling water if the water level drops too low. When a skewer comes out clean from the centre of the pudding, it's done.
Remove from pot and cool a little before turning out.
Top with the batons of rhubarb and pour over the syrup.
serving with lashings of custard.



Tuesday, 17 March 2020

Week 7 -The Ultimate Baking Companion - Bourke Street Bakery

It started with a trip to the allotment a few weeks ago -  when the Ewing had upended a plastic barrel, and called me over to see what she knew was underneath; a small clump of rhubarb, glowing pink in the pale winter sun - and ended last weekend in our kitchen, with me asking for danish pastries that became a whole weekend's work for my wife. But worth it.

While I have no patience for anything in the kitchen, the Ewing is a careful and methodical baker and so I delegated the latest #cookbookchallenge to her (my challenge, my rules). The recipe was taken from the Bourke Street Bakery Cookbook, from the Sydney-based mini bakery chain of the same name that I first visited nearly a decade ago for their signature chocolate, lemon and creme brulee-topped tarts. It's a beautiful tome for a baker, of which I am certainly not. That being said, I did make their chicken and lime pickle pies. and I still think about them now.

Lamination is a laborious, if not strangely relaxing process (at least when I wasn't shoving my phone in the way to take pictures) that involved a whole block of Lescure dry butter and much folding and resting to get the signature layers of good viennoiserie. 

As if all the dairy products and roasted rhubarb wasn't enough, the Ewing also made bear claws filled with homemade frangipane with Cointreau that she also whipped up from a recipe in the book. And we finally used a jar of jam bought on our last trip to Paris. Which is lucky, as we're going back there next week and will certainly return laden down with more confitures.

The piece de resistance were a couple of off-cuts she rolled into traditional croissant shapes and that I stuffed with mortadella and sheep cheese studded with pistachios that we picked up in Sicily. A very tasty petit dejeuner.

Their recipe is for basic croissant dough, which can then be adapted into different shapes and filled or topped with whatever you would like. The pictures above show the croissant/pain au chocolat rolling instructions from the book. There are lots of danish designs, we Googled a few YouTube videos for inspiration. Ones that cut and 'twist' the dough show off the layers better than ones that are just folded over, although they are a little trickier to make. Bear claws are probably the easiest and probably my favourites. Probably because they remind me of the Ewing's toes.

Bourke Street Bakery croissant dough
(we halved the recipe below and made 8 rhubarb danishes, 4 bear claws and 2 croissants)

Ingredients:
For the ferment
100g strong white bread flour, chilled
50ml whole milk, chilled
1 tsp soft brown sugar
Pinch salt
5g fresh yeast
20g unsalted butter, softened

For the croissants
935g strong white flour, chilled
500ml whole milk
60g soft brown sugar
15g salt
35g fresh yeast, chilled
500g unsalted butter, chilled

Ideas for the fillings
Jam, cooked fruit, chopped nuts, dried fruit, chocolate, frangipane or creme patisserie

Make the Ferment (the ferment is a small amount of dough that needs to be made first and will help your croissant dough develop and rise)
Mix all ferment ingredients together in a bowl until it becomes a ball. Knead it for about 10 minutes until becomes elastic and smooth.
Put the ferment in a bowl covered with plastic and leave at room temperature for 2 hours to ferment. After, store the ferment in the fridge overnight (this can be kept for few days in the fridge).

Make the dough
Divide the ferment into 8-10 small pieces, mix it together with all other ingredients, except butter, in a mixing bowl until a dough ball is formed.
Transfer the dough ball to a bench and knead for 10 – 15 minutes (by hand) until the dough becomes smooth and elastic, and doesn’t tear when stretched gently.
Put the dough in a bowl covered with plastic bag or cling film and refrigerate for at least 2 hours or overnight.

Laminate the dough
Remove the butter from the fridge. gently pound the butter with a rolling pin between two sheets of baking paper into 20 cm flat square. If the butter becomes too soft, put it back in the fridge for 15 minutes before using.
Take the dough out of the fridge, using a lightly floured rolling pin, roll the dough out into a rectangle about 20 x 40 cm. Place the butter in the centre of the dough and fold the dough over the top. Seal the edges of the dough together to ensure the butter is completely enclosed in the dough.

Carefully roll the butter-filled dough into a rectangle, about 20 x 90 cm (approximately 3 times longer than the piece you started with). Fold the rectangle from one long end by one-third, then fold the other third over the top so your dough is now 20 x 30 cm – the same as you would fold a letter three ways to fit it into an envelope. Wrap the dough in cling film and refrigerate for 20 minutes.

Repeat this folding and resting process twice more, each time rotating the dough 90 degrees. After the final roll, place in the fridge for 20 minutes to rest, then remove and roll into a rectangle approx. 25 x 100 cm and 5 – 8 mm thick, trimming the edges if needed.

Cut the dough into squares/triangles/rectangles depending on what pastries you are making, then place the pastry shapes on lined baking sheets and chill for 10 minutes, covered with a damp tea towel.

Take the pieces of dough from the fridge and shape as required, adding fruit, chocolate, fruit, jam, frangipane or creme patisserie as you wish. Place the shaped pastries back on the lined baking sheets and cover again with damp tea towels.

Let the pastries stand at warm room temperature for 2 hours, or until they are almost doubled in size.

To bake the pastries
Preheat the oven to 240 C 
Whisk the egg wash ingredients together and brush the surface of pastries with the wash before baking. Put the croissants into the oven, then immediately reduce oven temperature to 190 C and bake for 20 – 25 minutes until deeply golden brown.


Monday, 9 April 2018

Happiness at the Magdalen Arms

A few (ahem) years ago my school careers adviser asked me what I wanted to do when I grew up. To which I replied 'restaurant critic in the Sunday Times'. Which, seeing as I haven't really grown up yet, would still stand as my answer.

I am therefore taking it as a fateful sign that a career change could be impending as AA Gill's visit to the Magdelen Arms - chronicled in the wonderful Table Talk - happened to fall on the day after the boat race, just like ours did nearly six years later.

Possibly one reason I don't already write for the ST relates to what my adviser termed my 'energy efficiency', an epithet I was secretly rather proud of; everyone knows that procrastination and productivity are secretly bedfellows.  As a case in point, and to save my self some time thinking of my own words, here are a few from the master's visit, that I found when aimlessly Googling, to set the scene.

Oxford, the day after the Boat Race, was humming with young people in all their messy, bright, sloppy, gabby, gaudy fecundity, like streets of blown tulips.
Nobody mentioned the Boat Race, nor that little man who leapt into the river to protest at, what? Elitism? Which was funny, as rowers are, in many ways, the bottom of the food chain, damp and muscly, mocked for their bookshelf shoulders and bullock’s thighs.

This is a big pub, with a restaurant set behind screens at one end of a barn-like room. It’s more pubby than gastro. The Blonde and I took Jemima Khan, the film producer John Batsek and Annabel Rivkin. A lot of big tables of cluster dates. This kitchen was recommended to me by one of the best cooks I know. It is the gustatory outreach of the Anchor & Hope in Lambeth, where I recently had some exceptional ducks’ hearts on toast after The Duchess of Malfi. It has done a great deal of epicurean proselytising and is the best template I know for pub food.

At the risk of sending my last remaining readers off to The Times bookshop, to read some proper food criticism (and also to avoid being sued for copyright) I'll give the ctrl alt v keys a long enough rest to say that my company on the day was the, no less exciting, Ewing. And while there were no blown tulips, there was a jaunty vase of daffs to provide a backdrop to my fino sherry aperitif.

The menu is a roll call of big, butch things you want to eat that changes on a a daily basis, sometimes twice daily, so it doesn't matter too much when you drip trails of olive oil, from heels of homemade bread you've dragged through a golden puddle of the stuff, all over it as you're trying to make up your mind.

Actually, that's a bit of a fib, as they also update the menu online, meaning I had already been perusing it on the train that morning, desperately crossing all fingers and toes that the Hereford steak and ale suet crust pie with buttered greens was on the menu. I wasn't disappointed, although the Ewing may have been a little, as she had seen the braised lamb neck for two with dauphinoise spuds and pickled red cabbage.

As you can see, she was excited after it arrived, and frankly, with such a bronzed and burnish sight, not glimpsed since we walked along the beach in Fano one summer in the height of August, who wouldn't be?

It was equally inviting down below, huge chunks of melting beef in a deep, glossy gravy with the odd tangle of sweet onion and, unusually, a chunk of red pepper or two that wasn't amiss in the richly beery morass. The dish of perfectly crisp buttered greens served alongside was a joyous tribute to the wonder of cruciferous veg. A truly first rate Sunday lunch.

As there's never too much of a good thing, the Ewing went for a pastry-based finale as well. A generous wodge of crisp-bottomed pear and almond tart with a pillowy frangipane centre, accompanied by a ball of good vanilla ice cream.

If I was really getting into the spirit, I'd probably have described my buttermilk pudding with poached rhubarb as wobbling like a stroke's pectoral as they pass under Barnes Bridge, but, thankfully, I'm not.

The Blonde had also ordered it, and said it had too much gelatine; perhaps they had heeded the write-up, as mine was near on perfect and, as a unwanted consequence, under near constant attack from the Ewing across the table.

Obviously Adrian gets the last word; the Magdalen has a lot to smile about. A smile, as opposed to its burlesque sister, the laugh, doesn’t necessarily imply humour, or comedy, rather a general happiness, wellbeing, a shared conviviality, and it doesn’t have to be out loud.

Sunday, 15 March 2015

Seven(ish) Thrills of Sheffield

Everybody knows that Steel City is also the most famous to be built on seven hills (there may be the small matter of Italy’s capital, with its Trevi Fountain and Coliseum, but Sheffield produced Bertie Bassett and the Cockers - both Joe and Jarvis – so it clearly nudges ahead).

The Ewing is also going through a little love in with the Rome of Yorkshire, after she saw a speculative application for a speculative job which she speculatively though of applying for, despite the closest she has previously ever got to the place being when we pass Meadowhall on the M1 on the way to my Aunt and Uncle’s. 

To indulge her new obsession, we decided to make a weekend of it on the way to our trip to the Peak District. So here we have a beery Sheffield thrill for every Sheffield hill, plus a coffee stop for luck (or for sobering us up...).

Just like our first stop in Birmingham last winter (with the fabulous Craven Arms), I think that our very first stop was here my favourite of the whole trip. Both Arms, Craven and Rutland, are similarly old school, the Craven with its Majolica tiling the Rutland with its 1920's frontage of red brick and gold faience, and both serve a good selection of fine beer in old fashioned, dark wood surrounds.

The Craven Arms also has a mural by Sheffield street artist Phlegm (thankfully the paintings are more attractive than the name), whose distinctive works crop up in many other places across the city.

After battling Sunday buses and spring gales we were just in time for lunch. But before we could eat, it was time for the fabled first drink of the holiday. In my case a half of Magic Rock High Wire, a juicy, tropical fruit filled pale ale from the Huddersfield brewery that’s not seen much down South. The Ewing had a pint of something dark and smoky; always start like you mean to go on.

The food was fantastic. I’m pretty sure that, along with my Aunt’s steamed ginger pudding that I ate on the last evening of our trip, the roast veal with dauphinoise potatoes I ordered was the best thing I consumed in a week and a half (and I consumed a lot). The mushroom gravy, augmented by a drop of the famous Hendos, still haunts my dreams. 

The Ewing’s slow roasted shoulder of lamb was also a belter, with exemplary roast spuds and three Yorkies (although they did have a faint whiff of Aunt Bessie about them). To drink was a second Magic Rock, the belting Big Top, an India red ale based on their Rapture, but boosted up to a tasty 8%, that went down a little too smoothly.

Pudding was a good homemade chocolate brownie accompanied by remarkably good homemade banana and coffee ice cream and a half of Magic Rock’s Chipotle Punchline stout. A decent brew, although I felt the smoky after burn from the chillies rather disconcerting.

Next we considered traversing the city to check out the Red Deer or Bath Taps, but the cruel winds and hail forced us back towards the station; which turned out to be perfect for a couple of snifters at the Sheffield Tap, the famed pub built at the side of the station and accessed from sheaf street or platform 1b.

They’ve got a big range of cask and keg but not a huge amount that interested me on our visit. In the end I settled for a fair, if a little pricey, half of 6 North's Hop Classic Belgian IPA. The Ewing picked the even more expensive Ten Fidy from the Oskar Blues Brewery, at a lethally smooth 10.5 %, and was rewarded with an awesome imperial stout with a malty sweetness and a big lick of dark chocolate and bitter coffee.

Their bottle selection was much more interesting, and we settled for two efforts from the Marble Brewery; the Chocolate Marble and the Earl Grey IPA. Although they came from the wrong side of ‘tPennines, both were belters, the IPA being particularly great and well worth seeking out. I also –displaying a streak of drunken machismo – ordered the chilli jerky to nibble on, the large red lettering proclaiming ‘warning’ not enough to put me off. Well, reader, they weren’t wrong, the aftereffects on my digestive tract being even more cataclysmic the following day when combined with all the beer that had been drunk.

First stop the following morning was for caffeine at the rather lovely Sellers Wheel branch of Tamper Coffee, a lovely bright and beautiful space co owned by a couple of Kiwis, a nation known for their great coffee and brunches.

We weren't disappointed, despite our order turning up in a rather random fashion with rather random excuses; The Ewing's omelette, followed by my coffee, followed by my sandwich (sandwich press was heating up) followed, finally, by the Ewing's coffee (the pour over takes a while to prepare).

Timing grumbles aside, the freshly cooked omelette - four cheese with red onion - was delicious, although butter would have been nice to go with the rye toast. My salt beef and gherkin sarnie with mustard mayo was, as the hedgehog haired presenter of a famous road food TV show may have said, off the chain. 

My piccolo was good, although I really liked the lamington I had asked for alongside whilst waiting for my sandwich to toast (I was on holiday). When the Ewing's coffee finally turned up it was in a chemistry beaker (crazy. TE) which, once poured into her glass, rendered it rather lukewarm. Still the flavours were good, so much so we picked up a bag of the Tamper house blend beans for my Uncle on the way out.

After breakfasting we made way of the unusually sunny weather by visiting the nearby Millennium Gallery - complete with its giant horse sculpture made of Sheffield cutlery and striped (both blue and white for the Owls and red and white for the Blades) bottles of Hendos - and the adjoining Winter Gardens; a fine temperate glasshouse housing an array of tropical plants seldom seen in South Yorkshire alongside shops and a cafe.

Next we made our way down to Kelham Island, formally an industrial area, the 'island' being created by a diversion of the River Don to power the town corn mill, and now home to the Kelham Island museum which celebrates the cities rich heritage, alongside some flashy new student digs and five pubs.

One of these, predictably, was the site of our first stop. The Fat Cat, opened in 1850 in Kelham Island, and which styles itself as Sheffield’s ‘first real ale pub’. While it was under ownership by a big brewery for many years, in 1981 it was put up for auction and became a mecca for independent and local beer lovers. 

Being (literally) next door to the Kelham Island brewery, two of its permanent fixtures are Kelham Island bitter and their signature brew Pale Rider. With both beers having to make less than a 20 yard trip, it’s no surprise to say they were in tip top condition. The pork pies, on the bar were also pretty great.

Being a Monday, the atmosphere (no piped muzak or fruit machines here) was a little lacking and the staff a little curt; although it was nice to see the steady stream of locals, most known by name, propping up the bar and the roaring log fire in the corner. The rest of the food – curry night £4.50 with £1.50 pints, fresh pies baked daily, ploughmans and burgers  – also looked good, and very good vale too.

Saving ourselves we made our way to the end of the road, home of Kelham’s other famous hostelry, the Kelham Island Tavern. The set up here is less warren-like than the Fat Cat, and the atmosphere livelier and more welcoming, and, even though we had just missed the hot beef rolls, the barman offered to rustle us up a chip butty if we liked. 

Kind as the offer was, we stuck to our liquid diet; for me a pint of local brwery Abbydale's Deception and the Ewing had halves of Barnsley’s Acorn Old Moor Porter and a Thwaites Symphonic, a blackberry infused stout.

Another good no nonsense pub, the kind we excel at and that are now, sadly, becoming a rare breed, the Kelham Island is a very fine place to while away the afternoon. The highlight of our visit being when the dyed-in-the-wool Yorkshire barman had to explain to a group of young Frenchwomen what exactly a scotch egg was; priceless.

From the old to the new, dinner was at Craft and Dough, Sheffield’s new pizza and craft beer gaff. Despite being able to see the Fat Cat and The Kelham Island tavern from the window, there’s no bitter and pork scratchings on the menu here. Actually, I tell a lie, there was a special pork scratching topped pizza made in honour of pig week, but they had sadly already sold out on the very first day of it being on the menu. And they also have bitter too, of which I enjoyed a bottle of Saltaire’s Joshua Jane. Proving there isn’t too much difference between the past and the present after all.

Being thwarted by the absence of the piggy special, I went for the equally protein loaded Crafty Cuts, an braised ox cheek, pepperoni, balsamic red onion mozzarella and oregano number, while the Ewing had the veggie Yorkshire Goats Curd, Henderson's Relish and with baby leeks grown at Furnace Hill, the restaurant’s own allotment in Kelham. I think I actually preferred the veggie option, although both were fine pies; generous and with a base that was at once chewy and charred, just the way it should be.

Puds came in the form of soft serve milk ice cream - a little boring, if I’m honest - which was enlivened greatly by the bottle of Brass Castle Bad Kitty vanilla infused stout (say that in a Yorkshire accent) I drank alongside it. The Ewing chose the Yorkshire rhurbarb mess, served with a Ilkley Siberia, a rhubarb infused saison and her second Ilkley beer of the night, after enjoying a bottle of Pale with her pizza. The mess was outstanding; batons of bright pink ‘barb, sweet crème anglaise and shards of meringue studded with tart rhubarb jelly, strong contender for pud of the year, even at this early stage.

 
The icing on the cake, literally and figuratively, came when JP, their lovely front of house, offered us the last couple of slices of his delicious chocolate birthday cake. Many thanks JP, and his Mum, who baked the fudgy, squidgy beauty (hat a treat! TE). You can see from our dishes, even after the shameless gluttony before, how well it went down.


First stop on our final day was the Three Tuns, which is known for being shaped like the Flat Iron Building (or should the Flat Iron building actually be known for resembling the Thee Tuns?) Whatever, this is another unusual and fine looking pub, recently taken over by the chaps behind the Rutland Arms.

 
Grabbing a quick half - a Bad Boi Rye IPA for me and a ginger infused stout for the Ewing -we managed to grab a spot in the ‘nose’ of the pub, which, with its boat shape, felt rather like being in Titanic, another beer and maybe I would have been doing my best Kate Winslet impression.

After the fearsome jerky consumed on the first night you may have thought I’d have learnt my lesson. Sadly not, as this time I opted to try the Pwhoar Horse My Brittle Pony (worth it for the name alone) a ‘100% beef free’ horse jerky. Whilst flavoured with chillies and soy, mercifully it was much milder and provided a good chew to accompany my pint.

Last up was the Harley - a quickly improvised stop when we realised the highly regarded Thornbridge pub, the Bath Taps, didn’t serve any grub. The Harley -along with the Riverside in Kelham and Jake’s bar in Leeds - serves food from the Twisted Burger Co., and we were soon happily ensconced on their battered leather sofas whilst waiting for our lunch.

I chose the Limp Brizket; Double Beef Patty, Shredded Brisket, American cheese, onion jam and techno Burger Sauce; and the Ewing the Pig Daddy Kane; double beef patty, pulled pork, American cheese, Kraken BBQ sauce and chorizo & apple jam; and a sharing portion of sweet potato fries. Not for dieters, then.

Overall these were pretty strong burgers; whilst my patties were overcooked, the outside had a good crust and the brisket was inspired, adding a juicy beefiness. A little bit of chilli heat would have been good, but I compensated with yet more Hendos. The Ewing’s effort was also commendable, although, with both BBQ sauce and apple jam, a little sweet for me, but the sweet potato fries, with their crunchy coating, were perfect.


To drink was a half of Saltaire’s Blackberry Cascade, an American style pale ale infused with a hint of the said fruit. And for me a pint of Farmer’s Bitter from nearby Bradfield Brewery, a rurally inspired and thoroughly English beer that was the perfect prompt for saying goodbye to the hustle of Steel City and making our way to the next stop, the bucolic Peak District.